/page/2

chescaleigh:

Shit White Girls Say…to Black Girls TWO

holler

Holler. Shit White Girls Say…to Black Girls TWO 

via io9

Behold, the movie poster for Inspector Spacetime, Community’s tribute to Doctor Who

via io9

Behold, the movie poster for Inspector SpacetimeCommunity’s tribute to Doctor Who

via The Verge

It was over four years ago that OLPC founder Nicholas Negroponte showed off images of an XO tablet, and promised it would ship to kids of the developing world in 2010 for $100 each. Obviously that didn’t quite happen, but it turns out both the company and the tablet are finally ready. Not only is OLPC is bringing the XO 3.0 to CES this week, it’s also getting ready to put the slate into production.
In terms of raw specs, the XO 3.0 has an 8-inch, 1024 x 768-resolution PixelQi display, which can be read indoors and out, a Marvell Armada PXA618 processor, 512MB of RAM, and will be configurable with either Android or Sugar operating systems. Sugar is OLPC’s own Linux operating system, which was designed specifically for kids. “We designed the XO-3 with an open fireware and with open BIOs so it is easy to support multiple operating systems. Countries can choose between Android and Sugar,” OLPC’s CEO Ed McNierney said.

via The Verge

It was over four years ago that OLPC founder Nicholas Negroponte showed off images of an XO tablet, and promised it would ship to kids of the developing world in 2010 for $100 each. Obviously that didn’t quite happen, but it turns out both the company and the tablet are finally ready. Not only is OLPC is bringing the XO 3.0 to CES this week, it’s also getting ready to put the slate into production.

In terms of raw specs, the XO 3.0 has an 8-inch, 1024 x 768-resolution PixelQi display, which can be read indoors and out, a Marvell Armada PXA618 processor, 512MB of RAM, and will be configurable with either Android or Sugar operating systems. Sugar is OLPC’s own Linux operating system, which was designed specifically for kids. “We designed the XO-3 with an open fireware and with open BIOs so it is easy to support multiple operating systems. Countries can choose between Android and Sugar,” OLPC’s CEO Ed McNierney said.

Reasons I love the French. Translate it your damn self.
via Le Journal du Geek

Pour fêter la sortie de La Menace Fantôme en 3D dans les cinémas le 8 février prochain, Quick va proposer 3 nouveaux burgers limités, les Dark Burger, Jedi Burger et Dark Vador Burger. Le Dark Burger est évidemment LE burger qui retient toute notre attention. Inspiré par le personnage de Dark Vador, il dispose d’un pain… noir. Etonnant. Toutefois, on attend encore que Quick officialise la chose, et nous donne les dates de sortie de ces burgers plutôt alléchants!

Reasons I love the French. Translate it your damn self.

via Le Journal du Geek

Pour fêter la sortie de La Menace Fantôme en 3D dans les cinémas le 8 février prochain, Quick va proposer 3 nouveaux burgers limités, les Dark Burger, Jedi Burger et Dark Vador Burger. Le Dark Burger est évidemment LE burger qui retient toute notre attention. Inspiré par le personnage de Dark Vador, il dispose d’un pain… noir. Etonnant. Toutefois, on attend encore que Quick officialise la chose, et nous donne les dates de sortie de ces burgers plutôt alléchants!

This game is just all kinds of wonderful.
via Boing Boing:

“Let’s Play: Ancient Greek Punishment” is a series of 8-bit Flash games based on the punishments visited by the gods on various naughty ancient Greeks: Sisyphus, Tantalus, Prometheus, Danaids and Zeno. There’s something particularly awfully wonderful about rapidly pressing the G and H keys to writhe in agony and dislodge the eagle that is devouring your liver.

This game is just all kinds of wonderful.

via Boing Boing:

“Let’s Play: Ancient Greek Punishment” is a series of 8-bit Flash games based on the punishments visited by the gods on various naughty ancient Greeks: Sisyphus, Tantalus, Prometheus, Danaids and Zeno. There’s something particularly awfully wonderful about rapidly pressing the G and H keys to writhe in agony and dislodge the eagle that is devouring your liver.

My personal contribution to Silicon Valley Ryan Gosling:

“Hey girl. I know it’s date night, but how about we stay in? I’ll show you my Python skills and you can talk Ruby to me.”

My personal contribution to Silicon Valley Ryan Gosling:

“Hey girl. I know it’s date night, but how about we stay in? I’ll show you my Python skills and you can talk Ruby to me.”

Life and Code: Learning to Program for Journalists: The Epic HOWTO

lifeandcode:

  1. Is it stupid for me to even consider learning to code? Won’t I have to spend years at it? Won’t I be a lot worse at it than a “real” computer programmer?
  2. Why bother?
  3. You’ve convinced me. How can I get started?
  4. What should my goals be? What kind of projects should I…

Yes, yes, yes, yes, yes, yes.

Right now coding is trending in a big way on Twitter. More specifically learning how to code is gaining popularity as one of the top New Year’s resolutions of 2012, thanks in large part to Code Academy. The brainchild of Zachary Sims and Ryan Bubinski, Code Academy’s goal is simple and straightforward: teach code to anyone interested in learning it in a way that’s engaging, accessible, and socially-oriented.
Through a series of lessons focusing on a number of coding basics, Codecademy is designed to equip geek-lite types like myself with a solid foundational understanding of the craft so as to move on to bigger, badder, more complex projects down the line. The concept is absolutely brilliant. It’s doubtful that I’m alone when I say that on a level, I’ve found coding to be something of an intimidating prospect in the past. That isn’t to say that the coding itself is beyond understanding, but rather the culture that’s developed around coding is somewhat uninviting for folks like myself.
David Troy, Baltimore-based creator of Shortmail, put it best in a recent Twitter post:

 ”Every decent coder I know was drawn to it at an early age, and has lived/breathed it for years. Can it be acquired later, and well?”

Troy touches on a couple of of important points. On the one hand, it’s that kind of sentiment that I feel scares those with minimal exposure to code away from the admittedly sizable task at hand. The idea is that anyone worth their coding-salt has been at it for ages. Real coders, eschewing all else in favor of developing skills in the darkest corners of the internet, should spend countless hours trolling chatrooms, or competing in hackathons. That said, Troy isn’t exactly wrong here.
I’ve skipped, stumbled, and floated my way through the artsy, humanistic side of academia thus far because it comes naturally to me and I think I’m pretty good at it. My parents, conversely, were both computer engineers and much of my understanding of what it takes to be a great coder comes from having watched them. The truly brilliant code-folk I’ve known had in fact been immersed in the art for decades and all seemed to have a rainman-likes avant aptitude for the seemingly endless lines of dense computer prose. 
Apprehension aside, there’s really only one option at this point. Enrollment. I’m about four lessons deep into Codeacademy as of a few hours ago and the little fits of self-gratification that accompany every successful entry of code still have me a wee bit buzzed. I make no grand claims of geeky code expertise just yet, but over the next few weeks, and hopefully months, I want to do a few write-ups of my progress with the courses and reflect on my feelings concerning my skills having used the academy. Only time will tell if this all works out for the best, but something tells me that these philanthropic nerd-boys are on to something good.

Right now coding is trending in a big way on Twitter. More specifically learning how to code is gaining popularity as one of the top New Year’s resolutions of 2012, thanks in large part to Code Academy. The brainchild of Zachary Sims and Ryan Bubinski, Code Academy’s goal is simple and straightforward: teach code to anyone interested in learning it in a way that’s engaging, accessible, and socially-oriented.

Through a series of lessons focusing on a number of coding basics, Codecademy is designed to equip geek-lite types like myself with a solid foundational understanding of the craft so as to move on to bigger, badder, more complex projects down the line. The concept is absolutely brilliant. It’s doubtful that I’m alone when I say that on a level, I’ve found coding to be something of an intimidating prospect in the past. That isn’t to say that the coding itself is beyond understanding, but rather the culture that’s developed around coding is somewhat uninviting for folks like myself.

David Troy, Baltimore-based creator of Shortmail, put it best in a recent Twitter post:

 ”Every decent coder I know was drawn to it at an early age, and has lived/breathed it for years. Can it be acquired later, and well?”

Troy touches on a couple of of important points. On the one hand, it’s that kind of sentiment that I feel scares those with minimal exposure to code away from the admittedly sizable task at hand. The idea is that anyone worth their coding-salt has been at it for ages. Real coders, eschewing all else in favor of developing skills in the darkest corners of the internet, should spend countless hours trolling chatrooms, or competing in hackathons. That said, Troy isn’t exactly wrong here.

I’ve skipped, stumbled, and floated my way through the artsy, humanistic side of academia thus far because it comes naturally to me and I think I’m pretty good at it. My parents, conversely, were both computer engineers and much of my understanding of what it takes to be a great coder comes from having watched them. The truly brilliant code-folk I’ve known had in fact been immersed in the art for decades and all seemed to have a rainman-likes avant aptitude for the seemingly endless lines of dense computer prose. 

Apprehension aside, there’s really only one option at this point. Enrollment. I’m about four lessons deep into Codeacademy as of a few hours ago and the little fits of self-gratification that accompany every successful entry of code still have me a wee bit buzzed. I make no grand claims of geeky code expertise just yet, but over the next few weeks, and hopefully months, I want to do a few write-ups of my progress with the courses and reflect on my feelings concerning my skills having used the academy. Only time will tell if this all works out for the best, but something tells me that these philanthropic nerd-boys are on to something good.

This came to me while skimming the Deathly Hallows with Dan Savage’s Lovecast on in the background. Think the Bat Bogey Hex, only with Santorum. I’m clever sometimes. 

This came to me while skimming the Deathly Hallows with Dan Savage’s Lovecast on in the background. Think the Bat Bogey Hex, only with Santorum. I’m clever sometimes. 

Silicon Valley Ryan Gosling - @lianamaris: Submit to SVRG

siliconvalleyryangosling:

Well, hello there. Thanks for checking in, and thank you so much for your support thus far!!

I’m sorry to tell you that SVRG will be on hold until Monday, Jan 2;  I am traveling and will not have internet access. I probably should have queued up some things, but a girl can’t do everything.

The good news is I am now opening up SVRG for submissions! So you have this weekend to come up with something funny and send it to me and when I return on Monday, I will post one of my (completely subjective) choosing.  In fact, I will try to post one each day, as long as I keep getting submissions that I dig and that I feel are consistent with the tone of the site thus far.  Feel free to submit as many as you like.

So to keep it open to everyone, including those who do not actually have Tumblr accounts, you can email me your picture to siliconvalleyryangosling@gmail.com. Eventually, I will have a “submit” page right here, but I didn’t have time to set it up because I needed to make you a New Year’s Ryan; I think he was more important.

SUBMISSION GUIDELINES:

1) Photo cannot have been used before on this blog. 

2) Caption must be related to TECH in some way, but can be anything from biz dev to design to coding to hardware and everything in between.

3) You must use courier font (for the sake of consistency).

4) It must make me laugh, smile, or go “aww.”  This is completely subjective. 

5) You must include the byline you want. This will be limited to your name plus tumblr handle, twitter handle, or website (choose one).

6) Submitting means you agree to all terms and conditions: You have permission to post this. You represent and warrant that you own all rights to any content submitted. You will indemnify and hold harmless this site, its parents, subsidiaries, affiliates, customers, vendors, hosts, officers and employees from any liability, damage or cost (including reasonable attorneys’ fees and cost) from any claim or demand made by any third party due to or arising out of any content you submit. This site may distribute this post. By uploading, submitting or otherwise disclosing or distributing content for display or inclusion on this site, you give this site unlimited license in perpetuity to the content and the information therein. (I just copied this from someone else’s page, I didn’t even read it). 

If you’ve read this far that means you really want to do it.  So, do it and I’ll post it.

File under: Want. Now only if RIM could produce phones that I desired as badly as I do these epic bikes.

File under: Want. Now only if RIM could produce phones that I desired as badly as I do these epic bikes.

thepoliticalnotebook:

Arabic Occupy poster: “We are the 99%… Occupation.”
[via the New York Times; H/T Sam Rubenfeld]

thepoliticalnotebook:

Arabic Occupy poster: “We are the 99%… Occupation.”

[via the New York Times; H/T Sam Rubenfeld]

All I really want for Christmas is a little bit of diversity. More specifically, I want to see more diversity in the ways that you, people in my friend groups, social circles, tweet-o-spheres, and the like express yourselves. As the year draws to a close, media outlets both techy and mainstream are rolling out their annual list of “best apps.” Regrettably, Facebook, and a handful of Twitter clients make a number of repeat appearances. There’s nothing wrong with the big two per se, but there’s so much more to be found in the great wide world of apps.
Apps today are inviting, robust, and designed to shape the ways in which we interact with one another, the web, and reality into a fascinating mixture of real-time multimedia. There’s just one problem. From where I’m standing, the exotic, lush app-landscape is going largely unexplored. Facebook and Twitter are my bread and butter, yes. I’m sure much the same can be said for you. But the world of social platforms has so much more to offer. I hesitate to use the term “social media” because in all honesty, I feel as if the self-indulgent “me-ness” of social media is what’s keeping so many folks away from alternatives to the big boys.
It’s easy to hop onto Facebook or Twitter or even Tumblr and re -post, -tweet, or -blog something you think represents yourself with the click of a button. The ease, the lack of effort, and the gratification that comes with those kind of interactions is alluring to say the least. I think though that for all of the money we sink into our non-stop connectivity, we should strive to get a bit more out of the tools available to us. 
Apple has just named Instagram, an app initially released in October of 2010, its new App of the year for 2011—and with good reason. Instagram offers a unique mixture of social interaction and artistic creation that encourages its users to do more than just update a status. Rather, Instagram emphasizes you to capture snippets of the world as you see them and share them, visually, with a broad network of followers. Instagram’s just for starters, though. Mixel, an image-driven platform exclusive to the iPad is built around collage creation as its main focus. Users slice, crop, and superimpose images together and share with others, encouraging them to “remix” their collages as inspiration strikes.
Stamped and Jotly, two rating-apps geared towards individual reviews of…things are great alternatives to tried (and tired) heavyweights like Yelp. What Stamped and Jotly lack in Yelp’s brand recognition, they more than make up for with their focus on short, simple, ratings of specific things that people love. Where Yelp guides you to establishments, Stamped and Jotly want you closer to individual people whose opinions interest you. Mimicking the natural spread of information via word of mouth.
The social platform juggernauts are most certainly here to stay, and that’s fine. But why not venture out of the comfy confines of profile pages and try something a bit different?

All I really want for Christmas is a little bit of diversity. More specifically, I want to see more diversity in the ways that you, people in my friend groups, social circles, tweet-o-spheres, and the like express yourselves. As the year draws to a close, media outlets both techy and mainstream are rolling out their annual list of “best apps.” Regrettably, Facebook, and a handful of Twitter clients make a number of repeat appearances. There’s nothing wrong with the big two per se, but there’s so much more to be found in the great wide world of apps.

Apps today are inviting, robust, and designed to shape the ways in which we interact with one another, the web, and reality into a fascinating mixture of real-time multimedia. There’s just one problem. From where I’m standing, the exotic, lush app-landscape is going largely unexplored. Facebook and Twitter are my bread and butter, yes. I’m sure much the same can be said for you. But the world of social platforms has so much more to offer. I hesitate to use the term “social media” because in all honesty, I feel as if the self-indulgent “me-ness” of social media is what’s keeping so many folks away from alternatives to the big boys.

It’s easy to hop onto Facebook or Twitter or even Tumblr and re -post, -tweet, or -blog something you think represents yourself with the click of a button. The ease, the lack of effort, and the gratification that comes with those kind of interactions is alluring to say the least. I think though that for all of the money we sink into our non-stop connectivity, we should strive to get a bit more out of the tools available to us. 

Apple has just named Instagram, an app initially released in October of 2010, its new App of the year for 2011—and with good reason. Instagram offers a unique mixture of social interaction and artistic creation that encourages its users to do more than just update a status. Rather, Instagram emphasizes you to capture snippets of the world as you see them and share them, visually, with a broad network of followers. Instagram’s just for starters, though. Mixel, an image-driven platform exclusive to the iPad is built around collage creation as its main focus. Users slice, crop, and superimpose images together and share with others, encouraging them to “remix” their collages as inspiration strikes.

Stamped and Jotly, two rating-apps geared towards individual reviews of…things are great alternatives to tried (and tired) heavyweights like Yelp. What Stamped and Jotly lack in Yelp’s brand recognition, they more than make up for with their focus on short, simple, ratings of specific things that people love. Where Yelp guides you to establishments, Stamped and Jotly want you closer to individual people whose opinions interest you. Mimicking the natural spread of information via word of mouth.

The social platform juggernauts are most certainly here to stay, and that’s fine. But why not venture out of the comfy confines of profile pages and try something a bit different?

Merry Port-mas, everyone.

Merry Port-mas, everyone.

chescaleigh:

Shit White Girls Say…to Black Girls TWO

holler

Holler. Shit White Girls Say…to Black Girls TWO 

via io9

Behold, the movie poster for Inspector Spacetime, Community’s tribute to Doctor Who

via io9

Behold, the movie poster for Inspector SpacetimeCommunity’s tribute to Doctor Who

via The Verge

It was over four years ago that OLPC founder Nicholas Negroponte showed off images of an XO tablet, and promised it would ship to kids of the developing world in 2010 for $100 each. Obviously that didn’t quite happen, but it turns out both the company and the tablet are finally ready. Not only is OLPC is bringing the XO 3.0 to CES this week, it’s also getting ready to put the slate into production.
In terms of raw specs, the XO 3.0 has an 8-inch, 1024 x 768-resolution PixelQi display, which can be read indoors and out, a Marvell Armada PXA618 processor, 512MB of RAM, and will be configurable with either Android or Sugar operating systems. Sugar is OLPC’s own Linux operating system, which was designed specifically for kids. “We designed the XO-3 with an open fireware and with open BIOs so it is easy to support multiple operating systems. Countries can choose between Android and Sugar,” OLPC’s CEO Ed McNierney said.

via The Verge

It was over four years ago that OLPC founder Nicholas Negroponte showed off images of an XO tablet, and promised it would ship to kids of the developing world in 2010 for $100 each. Obviously that didn’t quite happen, but it turns out both the company and the tablet are finally ready. Not only is OLPC is bringing the XO 3.0 to CES this week, it’s also getting ready to put the slate into production.

In terms of raw specs, the XO 3.0 has an 8-inch, 1024 x 768-resolution PixelQi display, which can be read indoors and out, a Marvell Armada PXA618 processor, 512MB of RAM, and will be configurable with either Android or Sugar operating systems. Sugar is OLPC’s own Linux operating system, which was designed specifically for kids. “We designed the XO-3 with an open fireware and with open BIOs so it is easy to support multiple operating systems. Countries can choose between Android and Sugar,” OLPC’s CEO Ed McNierney said.

Reasons I love the French. Translate it your damn self.
via Le Journal du Geek

Pour fêter la sortie de La Menace Fantôme en 3D dans les cinémas le 8 février prochain, Quick va proposer 3 nouveaux burgers limités, les Dark Burger, Jedi Burger et Dark Vador Burger. Le Dark Burger est évidemment LE burger qui retient toute notre attention. Inspiré par le personnage de Dark Vador, il dispose d’un pain… noir. Etonnant. Toutefois, on attend encore que Quick officialise la chose, et nous donne les dates de sortie de ces burgers plutôt alléchants!

Reasons I love the French. Translate it your damn self.

via Le Journal du Geek

Pour fêter la sortie de La Menace Fantôme en 3D dans les cinémas le 8 février prochain, Quick va proposer 3 nouveaux burgers limités, les Dark Burger, Jedi Burger et Dark Vador Burger. Le Dark Burger est évidemment LE burger qui retient toute notre attention. Inspiré par le personnage de Dark Vador, il dispose d’un pain… noir. Etonnant. Toutefois, on attend encore que Quick officialise la chose, et nous donne les dates de sortie de ces burgers plutôt alléchants!

This game is just all kinds of wonderful.
via Boing Boing:

“Let’s Play: Ancient Greek Punishment” is a series of 8-bit Flash games based on the punishments visited by the gods on various naughty ancient Greeks: Sisyphus, Tantalus, Prometheus, Danaids and Zeno. There’s something particularly awfully wonderful about rapidly pressing the G and H keys to writhe in agony and dislodge the eagle that is devouring your liver.

This game is just all kinds of wonderful.

via Boing Boing:

“Let’s Play: Ancient Greek Punishment” is a series of 8-bit Flash games based on the punishments visited by the gods on various naughty ancient Greeks: Sisyphus, Tantalus, Prometheus, Danaids and Zeno. There’s something particularly awfully wonderful about rapidly pressing the G and H keys to writhe in agony and dislodge the eagle that is devouring your liver.

My personal contribution to Silicon Valley Ryan Gosling:

“Hey girl. I know it’s date night, but how about we stay in? I’ll show you my Python skills and you can talk Ruby to me.”

My personal contribution to Silicon Valley Ryan Gosling:

“Hey girl. I know it’s date night, but how about we stay in? I’ll show you my Python skills and you can talk Ruby to me.”

Life and Code: Learning to Program for Journalists: The Epic HOWTO

lifeandcode:

  1. Is it stupid for me to even consider learning to code? Won’t I have to spend years at it? Won’t I be a lot worse at it than a “real” computer programmer?
  2. Why bother?
  3. You’ve convinced me. How can I get started?
  4. What should my goals be? What kind of projects should I…

Yes, yes, yes, yes, yes, yes.

Right now coding is trending in a big way on Twitter. More specifically learning how to code is gaining popularity as one of the top New Year’s resolutions of 2012, thanks in large part to Code Academy. The brainchild of Zachary Sims and Ryan Bubinski, Code Academy’s goal is simple and straightforward: teach code to anyone interested in learning it in a way that’s engaging, accessible, and socially-oriented.
Through a series of lessons focusing on a number of coding basics, Codecademy is designed to equip geek-lite types like myself with a solid foundational understanding of the craft so as to move on to bigger, badder, more complex projects down the line. The concept is absolutely brilliant. It’s doubtful that I’m alone when I say that on a level, I’ve found coding to be something of an intimidating prospect in the past. That isn’t to say that the coding itself is beyond understanding, but rather the culture that’s developed around coding is somewhat uninviting for folks like myself.
David Troy, Baltimore-based creator of Shortmail, put it best in a recent Twitter post:

 ”Every decent coder I know was drawn to it at an early age, and has lived/breathed it for years. Can it be acquired later, and well?”

Troy touches on a couple of of important points. On the one hand, it’s that kind of sentiment that I feel scares those with minimal exposure to code away from the admittedly sizable task at hand. The idea is that anyone worth their coding-salt has been at it for ages. Real coders, eschewing all else in favor of developing skills in the darkest corners of the internet, should spend countless hours trolling chatrooms, or competing in hackathons. That said, Troy isn’t exactly wrong here.
I’ve skipped, stumbled, and floated my way through the artsy, humanistic side of academia thus far because it comes naturally to me and I think I’m pretty good at it. My parents, conversely, were both computer engineers and much of my understanding of what it takes to be a great coder comes from having watched them. The truly brilliant code-folk I’ve known had in fact been immersed in the art for decades and all seemed to have a rainman-likes avant aptitude for the seemingly endless lines of dense computer prose. 
Apprehension aside, there’s really only one option at this point. Enrollment. I’m about four lessons deep into Codeacademy as of a few hours ago and the little fits of self-gratification that accompany every successful entry of code still have me a wee bit buzzed. I make no grand claims of geeky code expertise just yet, but over the next few weeks, and hopefully months, I want to do a few write-ups of my progress with the courses and reflect on my feelings concerning my skills having used the academy. Only time will tell if this all works out for the best, but something tells me that these philanthropic nerd-boys are on to something good.

Right now coding is trending in a big way on Twitter. More specifically learning how to code is gaining popularity as one of the top New Year’s resolutions of 2012, thanks in large part to Code Academy. The brainchild of Zachary Sims and Ryan Bubinski, Code Academy’s goal is simple and straightforward: teach code to anyone interested in learning it in a way that’s engaging, accessible, and socially-oriented.

Through a series of lessons focusing on a number of coding basics, Codecademy is designed to equip geek-lite types like myself with a solid foundational understanding of the craft so as to move on to bigger, badder, more complex projects down the line. The concept is absolutely brilliant. It’s doubtful that I’m alone when I say that on a level, I’ve found coding to be something of an intimidating prospect in the past. That isn’t to say that the coding itself is beyond understanding, but rather the culture that’s developed around coding is somewhat uninviting for folks like myself.

David Troy, Baltimore-based creator of Shortmail, put it best in a recent Twitter post:

 ”Every decent coder I know was drawn to it at an early age, and has lived/breathed it for years. Can it be acquired later, and well?”

Troy touches on a couple of of important points. On the one hand, it’s that kind of sentiment that I feel scares those with minimal exposure to code away from the admittedly sizable task at hand. The idea is that anyone worth their coding-salt has been at it for ages. Real coders, eschewing all else in favor of developing skills in the darkest corners of the internet, should spend countless hours trolling chatrooms, or competing in hackathons. That said, Troy isn’t exactly wrong here.

I’ve skipped, stumbled, and floated my way through the artsy, humanistic side of academia thus far because it comes naturally to me and I think I’m pretty good at it. My parents, conversely, were both computer engineers and much of my understanding of what it takes to be a great coder comes from having watched them. The truly brilliant code-folk I’ve known had in fact been immersed in the art for decades and all seemed to have a rainman-likes avant aptitude for the seemingly endless lines of dense computer prose. 

Apprehension aside, there’s really only one option at this point. Enrollment. I’m about four lessons deep into Codeacademy as of a few hours ago and the little fits of self-gratification that accompany every successful entry of code still have me a wee bit buzzed. I make no grand claims of geeky code expertise just yet, but over the next few weeks, and hopefully months, I want to do a few write-ups of my progress with the courses and reflect on my feelings concerning my skills having used the academy. Only time will tell if this all works out for the best, but something tells me that these philanthropic nerd-boys are on to something good.

This came to me while skimming the Deathly Hallows with Dan Savage’s Lovecast on in the background. Think the Bat Bogey Hex, only with Santorum. I’m clever sometimes. 

This came to me while skimming the Deathly Hallows with Dan Savage’s Lovecast on in the background. Think the Bat Bogey Hex, only with Santorum. I’m clever sometimes. 

Silicon Valley Ryan Gosling - @lianamaris: Submit to SVRG

siliconvalleyryangosling:

Well, hello there. Thanks for checking in, and thank you so much for your support thus far!!

I’m sorry to tell you that SVRG will be on hold until Monday, Jan 2;  I am traveling and will not have internet access. I probably should have queued up some things, but a girl can’t do everything.

The good news is I am now opening up SVRG for submissions! So you have this weekend to come up with something funny and send it to me and when I return on Monday, I will post one of my (completely subjective) choosing.  In fact, I will try to post one each day, as long as I keep getting submissions that I dig and that I feel are consistent with the tone of the site thus far.  Feel free to submit as many as you like.

So to keep it open to everyone, including those who do not actually have Tumblr accounts, you can email me your picture to siliconvalleyryangosling@gmail.com. Eventually, I will have a “submit” page right here, but I didn’t have time to set it up because I needed to make you a New Year’s Ryan; I think he was more important.

SUBMISSION GUIDELINES:

1) Photo cannot have been used before on this blog. 

2) Caption must be related to TECH in some way, but can be anything from biz dev to design to coding to hardware and everything in between.

3) You must use courier font (for the sake of consistency).

4) It must make me laugh, smile, or go “aww.”  This is completely subjective. 

5) You must include the byline you want. This will be limited to your name plus tumblr handle, twitter handle, or website (choose one).

6) Submitting means you agree to all terms and conditions: You have permission to post this. You represent and warrant that you own all rights to any content submitted. You will indemnify and hold harmless this site, its parents, subsidiaries, affiliates, customers, vendors, hosts, officers and employees from any liability, damage or cost (including reasonable attorneys’ fees and cost) from any claim or demand made by any third party due to or arising out of any content you submit. This site may distribute this post. By uploading, submitting or otherwise disclosing or distributing content for display or inclusion on this site, you give this site unlimited license in perpetuity to the content and the information therein. (I just copied this from someone else’s page, I didn’t even read it). 

If you’ve read this far that means you really want to do it.  So, do it and I’ll post it.

File under: Want. Now only if RIM could produce phones that I desired as badly as I do these epic bikes.

File under: Want. Now only if RIM could produce phones that I desired as badly as I do these epic bikes.

thepoliticalnotebook:

Arabic Occupy poster: “We are the 99%… Occupation.”
[via the New York Times; H/T Sam Rubenfeld]

thepoliticalnotebook:

Arabic Occupy poster: “We are the 99%… Occupation.”

[via the New York Times; H/T Sam Rubenfeld]

All I really want for Christmas is a little bit of diversity. More specifically, I want to see more diversity in the ways that you, people in my friend groups, social circles, tweet-o-spheres, and the like express yourselves. As the year draws to a close, media outlets both techy and mainstream are rolling out their annual list of “best apps.” Regrettably, Facebook, and a handful of Twitter clients make a number of repeat appearances. There’s nothing wrong with the big two per se, but there’s so much more to be found in the great wide world of apps.
Apps today are inviting, robust, and designed to shape the ways in which we interact with one another, the web, and reality into a fascinating mixture of real-time multimedia. There’s just one problem. From where I’m standing, the exotic, lush app-landscape is going largely unexplored. Facebook and Twitter are my bread and butter, yes. I’m sure much the same can be said for you. But the world of social platforms has so much more to offer. I hesitate to use the term “social media” because in all honesty, I feel as if the self-indulgent “me-ness” of social media is what’s keeping so many folks away from alternatives to the big boys.
It’s easy to hop onto Facebook or Twitter or even Tumblr and re -post, -tweet, or -blog something you think represents yourself with the click of a button. The ease, the lack of effort, and the gratification that comes with those kind of interactions is alluring to say the least. I think though that for all of the money we sink into our non-stop connectivity, we should strive to get a bit more out of the tools available to us. 
Apple has just named Instagram, an app initially released in October of 2010, its new App of the year for 2011—and with good reason. Instagram offers a unique mixture of social interaction and artistic creation that encourages its users to do more than just update a status. Rather, Instagram emphasizes you to capture snippets of the world as you see them and share them, visually, with a broad network of followers. Instagram’s just for starters, though. Mixel, an image-driven platform exclusive to the iPad is built around collage creation as its main focus. Users slice, crop, and superimpose images together and share with others, encouraging them to “remix” their collages as inspiration strikes.
Stamped and Jotly, two rating-apps geared towards individual reviews of…things are great alternatives to tried (and tired) heavyweights like Yelp. What Stamped and Jotly lack in Yelp’s brand recognition, they more than make up for with their focus on short, simple, ratings of specific things that people love. Where Yelp guides you to establishments, Stamped and Jotly want you closer to individual people whose opinions interest you. Mimicking the natural spread of information via word of mouth.
The social platform juggernauts are most certainly here to stay, and that’s fine. But why not venture out of the comfy confines of profile pages and try something a bit different?

All I really want for Christmas is a little bit of diversity. More specifically, I want to see more diversity in the ways that you, people in my friend groups, social circles, tweet-o-spheres, and the like express yourselves. As the year draws to a close, media outlets both techy and mainstream are rolling out their annual list of “best apps.” Regrettably, Facebook, and a handful of Twitter clients make a number of repeat appearances. There’s nothing wrong with the big two per se, but there’s so much more to be found in the great wide world of apps.

Apps today are inviting, robust, and designed to shape the ways in which we interact with one another, the web, and reality into a fascinating mixture of real-time multimedia. There’s just one problem. From where I’m standing, the exotic, lush app-landscape is going largely unexplored. Facebook and Twitter are my bread and butter, yes. I’m sure much the same can be said for you. But the world of social platforms has so much more to offer. I hesitate to use the term “social media” because in all honesty, I feel as if the self-indulgent “me-ness” of social media is what’s keeping so many folks away from alternatives to the big boys.

It’s easy to hop onto Facebook or Twitter or even Tumblr and re -post, -tweet, or -blog something you think represents yourself with the click of a button. The ease, the lack of effort, and the gratification that comes with those kind of interactions is alluring to say the least. I think though that for all of the money we sink into our non-stop connectivity, we should strive to get a bit more out of the tools available to us. 

Apple has just named Instagram, an app initially released in October of 2010, its new App of the year for 2011—and with good reason. Instagram offers a unique mixture of social interaction and artistic creation that encourages its users to do more than just update a status. Rather, Instagram emphasizes you to capture snippets of the world as you see them and share them, visually, with a broad network of followers. Instagram’s just for starters, though. Mixel, an image-driven platform exclusive to the iPad is built around collage creation as its main focus. Users slice, crop, and superimpose images together and share with others, encouraging them to “remix” their collages as inspiration strikes.

Stamped and Jotly, two rating-apps geared towards individual reviews of…things are great alternatives to tried (and tired) heavyweights like Yelp. What Stamped and Jotly lack in Yelp’s brand recognition, they more than make up for with their focus on short, simple, ratings of specific things that people love. Where Yelp guides you to establishments, Stamped and Jotly want you closer to individual people whose opinions interest you. Mimicking the natural spread of information via word of mouth.

The social platform juggernauts are most certainly here to stay, and that’s fine. But why not venture out of the comfy confines of profile pages and try something a bit different?

Merry Port-mas, everyone.

Merry Port-mas, everyone.

About:

Personal blogging experiment by an apprehensive journalism major: Cultivating a personal brand. Click here to learn more about the People's Time.

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